{"id":312063,"date":"2026-10-15T07:51:39","date_gmt":"2026-10-15T11:51:39","guid":{"rendered":"https:\/\/galadelaterre.com\/media\/"},"modified":"2026-10-15T10:31:40","modified_gmt":"2026-10-15T14:31:40","slug":"media","status":"publish","type":"page","link":"https:\/\/galadelaterre.com\/en\/media\/","title":{"rendered":"Media"},"content":{"rendered":"
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\u201cThe program was perfectly aligned with these ecological concerns, particularly through the elemental force of The Rite of Spring and Claude Champagne\u2019s Symphonie gasp\u00e9sienne, which opened the evening. What an inspired idea to revive this work by one of the pioneers of Canadian music.\u201d<\/p>\n<\/div><\/div>

\u2014 Emmanuel Bernier, La Presse<\/div>
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\u201cAs for The Rite of Spring, it was a triumph for this young orchestra and its conductor to deliver such a solid, grounded interpretation, punctuated by genuine moments of exhilaration.\u201d<\/p>\n<\/div><\/div>

\u2014 Christophe Huss, Le Devoir<\/div>
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\u201cEllis\u2019s conducting, committed without being overly demonstrative, sustained the work\u2019s overall tension and guided [The Rite of Spring] toward its inevitable final explosion without ever losing control. Once again, the audience was won over, responding with a second standing ovation.\u201d<\/p>\n<\/div><\/div>

\u2014 Julien Bilodeau, Ludwig Van Montr\u00e9al<\/div>
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\u201cWith Katia Makdissi-Warren\u2019s Chorus Nunavik, the atmosphere shifts completely. Throat singers Lydia Etok and Nina Segalowitz stand out not only for their technical mastery, but also for their ability to create an entire sonic universe, supported by the cellos and their immersive evocation of flora and fauna. Layers of intensity build upon one another, leading the work toward a thoroughly deserved ovation.\u201d<\/p>\n<\/div><\/div>

\u2014 Chlo\u00e9 Rouffignac, Pan M 360<\/div>
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\u201cCharmed by the chemistry and virtuosity of the two artists\u2014and undoubtedly moved by the recitation of a poem in an Indigenous language over the orchestral accompaniment\u2014the audience gave all the musicians a standing ovation.\u201d<\/p>\n<\/div><\/div>

\u2014 Justin Bernard, 440 media<\/div>
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\u201cFor Nicolas Ellis, the Orchestre de l\u2019Agora embodies the idea of \"coming home\". It is also his \"passion project\". He cherishes the fact that it \u2018started from nothing, as a student-led volunteer initiative, and grew into a professional orchestra.\u2019\u201d <\/p>\n<\/div><\/div>

\u2014 Christophe Huss, Le Devoir<\/div>
<\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-312063","page","type-page","status-publish","hentry"],"yoast_head":"\nMedia — Gala de la Terre<\/title>\n<meta name=\"description\" content=\"Gala de la Terre Media\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galadelaterre.com\/en\/media\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Media — Gala de la Terre\" \/>\n<meta property=\"og:description\" content=\"Gala de la Terre Media\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galadelaterre.com\/en\/media\/\" \/>\n<meta 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